彼方から (甘い便り

Happy Hour from Kyoto

#005
『夫婦善哉』
– Meoto zenzai –

「日本一の夫(めおと)」だよ!もうね~~、どん引きです!ハッ、失礼…!取り乱しました。というのも、ま『夫婦善哉を観てしまったのです。

『夫婦善哉、舞台は昭和初期。生まれも育ちも大阪・船場の、絵に描いたようなボンボン放蕩息子柳(森繁久彌と、そんな柳吉と恋に落ち、駆け落ちまでしてしまった曽根崎新地の元売れっ子芸者、蝶(淡島千景の愛の?物語です。織田作之助の有名小説が原作ということもあり、あらすじはそれぞれ検索してもらうとして、とにかくこの柳吉「あかんたれすぎてもうね~、あきれちゃう。勘当されたくせにいつまでも実家の援助を当てにして、遊び呆ける。蝶子がヤト(臨時日雇い芸者をして一生懸命貯めたお金も、使い込む。ひどい。またその柳吉のふてぶてしさったら!どういう神経してんだって、びっくりするくらい。

でもね、この柳吉を演じる森繁久彌がいいんですよ…。金の無心に行った実家で冷遇されて逆ギレ。コップの水をブチまけ啖呵を切る森繁。朝帰りして布団にダイブ。うだうだしているところを、蝶子にたばこを咥えさせてもらう、赤ちゃんみたいな森繁。遊び呆けて蝶子にブチ切れられ、水と細うどんの入った桶に頭から突っ込まれる、うどんまみれの森繁etc.  森繁、オー・マイ・ダーリン!なんてこった!森繁はとにかく所作が綺麗なので、文章にするとこんなにどうしようもないのに、観るとウットリしてしまうのです。

その中でも1番好きなのが「あんた、なんぞ美味しいもん食べにいこかという蝶子の台詞に色めき立つ森繁です「いこ、いこいこすがるように蝶子の腕を取る森繁!

しかし、この台詞。優しくて、なんて愛ある台詞でしょうか。こんな言葉をかけられたら、食い道楽の柳吉じゃなくたって、うれしい気持ちになるに決まってます。どんなに冴えない気分でも明るくなる、魔法の呪文みたい!なんでもいいけど、なんでもじゃない。でも、とにか「なんぞ美味しいもん

そんな「なんぞ美味しいもん的お菓子が京都にあります。

えっ、これがお菓子?そうなの、お菓子なの…!その名「ちらしずし。エーッ!ド直球!

二条城近く「二條若狭屋というお店で、年明けからひな祭りの頃までの期間限定、予約のみで買えるお菓子です。最近出来たお菓子なのかな?と思いきや、いえいえ昔からあるものと聞いて、二度びっくり。二條若狭屋は大正の創業。京都のお菓子屋の中ではまだ新参の(!です。そこで当時の職人さんが、よそとはちがうことを、と考え出したのかもしれません。

さてこ「ちらしずしですが、しいたけは羊羹、えんどう豆と紅しょうがはこな(白餡を主原料に蒸して作る和菓子の生地。そして寿司飯は道明寺のおまんじゅ(2列×3=6個で出来ていて、錦糸卵はなんと、錦糸卵そのままという謎のフォーメーション。そして食べると、この、まるでカメオ出演みたいな錦糸卵のパンチがすごいんです。今食べているのは、果たしてお菓子なのか?なんなのか?混乱してしまう。たしかに錦糸卵というのはほのかに甘いものだけれど、けれど、お菓子ではない…だけど、今食べているのはお菓子…!?!?!!とっても不思議な気分になります。お菓子の概念を試されている気持ちにさえなるほど。でもさすが、これが確かに美味しいのです。

またこのパッケージが奮っているのも見て欲しい!見て!

キャーッ!!

包み方から本物のちらし寿司みたい!なんてかわいいんでしょう!それに、ちゃ~んと実物の割り箸が添えてあるし…!えっ?割り箸で食べろってこと?お、お菓子なのに?やっぱり試されている…!

これこそまさしく、「(お菓子だかなんだかよくわからないけどなんぞ美味しいもんって感じ…。

それに、袋にかけてある紐をぷらんと持ってみれば「なんぞ美味しいもんを食べに行った帰り道、酔っ払った勢いで寿司折なんて買って帰る、柳吉と蝶子の千鳥足が思い浮かぶのでした。なんだかんだ言って、仲良しなんですよね。わかるような、わからないような。ンー!

What the heck do they mean by “the best married couple in Japan”?!? I’m so ticked off already! … Oh, excuse me, I was beside myself. It’s because I watched Meoto Zenzai again.

Meoto Zenzai is a love story set in the 1920s. Ryukichi (played by Hisaya Morishige), born and raised in the merchant town of Senba in Osaka, is the very picture of a rich and spoiled son. Choko (played by Chikage Awashima), a former successful Geisha in the nightlife district Sonezaki Shinchi, falls in love and elopes with him. It is based on the novel by
Sakunosuke Oda, so I’ll let you google the plot on your own, but I can’t emphasize enough that this character of Ryukichi is such a jerk that I’m disgusted by him. He counts on his rich parents to support him, despite being disowned, and continues with his playboy habits. He spends all of Choko’s savings that she made by working a temp Geisha job. Just terrible. And his shameless attitude! He’s got a lot of nerve! It’s frightening.

However, the actor Hisaya Morishige is really good. Some examples include getting angry when his parents treat him coldly after asking them for money, throwing out a cup of water and making a sharp retort, staying out all night, coming back home in the morning and jumping straight into bed. In another scene, while sitting around doing nothing, he has Choko put a cigarette in his mouth for him. He infuriates her by constantly fooling around, so she dunks his head into a bucket full of water and noodles, which results in his head being covered by noodles and on and on… Morishige, oh, my darling! What to do?!? Nonetheless,
I have to say that the way he moves is so graceful; he’s so hopeless when put in words, but when I watch him on screen, I’m enchanted.

My most favorite Morishige moment among all scenes is when he gets excited by Choko’s line “Honey, do you wanna get something nice to eat?” He replies, “Let’s go, let’s go!” and clings onto her arm!

But I find this line to also be quite kind and affectionate. It doesn’t have to come from an epicurean like Ryukichi, but anyone who hears these kind words would be delighted. They’re magic words that would make you feel delighted even when you’re feeling blue. This can’t be done by just any words. In any case, let’s get something nice to eat!

There is a “something nice” kind of sweet in Kyoto.

What? Is this a sweet? Yes, it is…! It’s called “Chirashi-sushi”. Wow, exactly as described!

This is a sweet that Nijo Wakasaya, a shop near Nijo Castle, offers annually for a limited time from the beginning of the year to Hinamatsuri (a girl’s festival in March) by reservation only. I wondered if it’s a relatively new product, but no, it’s surprisingly been around for a long time. Nijo Wakasaya was established during the Taisho Period (1912-1926) which
makes this shop a relative newcomer (!) amongst Kyoto’s more long-established shops. That might have motivated the craftsmen to think of something different from the others.

Now, this “Chirashi-sushi” consists of various ingredients making a mysterious, cluttered formation: Shiitake mushroom made of Yokan (sweet adzuki bean jelly), snap peas and red ginger made from steamed bean cake, sushi-rice made from “domyoji” manju rice cake (2 rows of 3, 6 pieces in total), and finally kinshi-tamago, thin omelet that is cut into strips that are laid on top of real Chirashi-sushi, is made out of kinshi-tamago itself!

This kinshi-tamago, like a cameo appearance, delivers a powerful performance in my mouth. Am I eating a sweet? Or what is this supposed to be?!? It’s so confusing. Indeed, kinshi- tamago is supposed to be slightly sweet, but it’s not a sweet… but what I’m eating right now is a sweet?!? It makes me feel so strange. I even feel that the very concept of a sweet is being challenged. But still, it sure tastes good.

And the package is also aggressively elaborate! Take a look!

Oh my God!!!

Even the packaging is just like Chirashi-sushi, wrapped up in a box! How adorable! It even comes with real chopsticks…! Oh wait, does it mean it’s supposed to be eaten with chopsticks? But isn’t it a sweet? See, it’s meant to be challenging us…!

But I’d say, it’s exactly “something nice” (though I’m not sure if it’s a sweet or not).

When you lightly hold it by the string of the package, I can imagine Ryukichi and Choko walking drunkenly, holding a box of sushi on the way home after going out to eat “something nice”. At the end of the day, they get along with one another. I guess I sort of understand. Or not. Argh!

Kyo-gashi information

二條若狭屋 本店
京都市中京区二条通小川東入る西大黒町333-2

Nijo-Wakasaya Honten
333-2 Nishidaikoku-cho, Nakagyo-ku, Kyoto

movie information

『夫婦善哉』(1955)
豊田四郎監督

Meoto Zenzai
Dir.
Shiro Toyoda

text & design

いこ  /   iqco

NODATE PICNIC CLUB

『ドリス・ ヴァン・ノッテン ファブリックと花を愛する男』を早く観
たいのですが、京都で封切りされるのはまだまだ先みたいで、やきもきし
ています。

I want to watch Dries so badly, but it’ll take a while for it to screen in Kyoto. This makes me so anxious.

English translation

Rieko
Cinema Studio 28 Tokyo Los  Angeles branch